Bobby Jasoos works only because of Vidya Balan and the strong supporting cast, says Paloma Sharma.

A Million Ways To Die In The West could have done better with more editing and less Seth McFarlane, says Paloma Sharma.

Heaven is for Real is a well scripted drama that manages to warm your heart, but its religious undertones are a bit annoying.

Grace of Monaco is a shoddily written film, says Paloma Sharma.

Filmistaan has a strong plot and well-developed characters, says Paloma Sharma.

Maleficent ends up disappointing after a decent start, says Paloma Sharma.

The Raid 2 is dominated by a lot of unnecessary violence, says Paloma Sharma.

Heropanti tries to deliver a highly confused sermon on love and freedom of choice, which ultimately comes down to much sasur-damaad (b)romance.

Mighty Raju is a toned down version of Krrish 3.

The film may have a point when it questions the treatment of players as commodities, it overdoes the white saviour act a bit, says Paloma Sharma.

Yeh Hai Bakrapur starts off on a promising note but loses steam soon after, says Paloma Sharma.

Manjunath is a lesson in humanity we all need at the moment, says Paloma Sharma.

Purani Jeans lacks vision, originality and the spunk one expects from a college romance film, says Paloma Sharma.

Revolver Rani could have been the movie of the year. It ended up as a confused film that can't decide who, or what it wants to concentrate on instead, says Paloma Sharma.

Krish's relationship with his family, particularly his mother, is better explored than his relationship with Ananya, which results in 2 States being more of a deep and meaningful family drama than a romance, notes Paloma Sharma.

Oculus could have done better with tighter editing, says Paloma Sharma.

Rio 2 features some lovely, complex animation and a vivid, cheerful colour palette but is a one-time watch at best, says Paloma Sharma.

Not exactly meant for family audiences, Main Tera Hero is a refreshingly unpretentious, says Paloma Sharma.

Jal takes its own time in unravelling and loses the plot pretty soon, says Paloma Sharma.